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Jimmy Woira
The
year was 1990 at Namasagali Primary School, I had never been a
musician apart from the few comic moments at home, when with my
elder brothers: Aaron and Bob, we could imagine and mime to play
any traditional musical instruments with our mouths and danced
round whenever my brothers and sisters recalled and joked about
what they had seen during primary schools’ Music Festivals. I
picked a keen interest in music but not to do it myself because
I was very shy and of course ignorant of who I was and what I
had in me, for a talent. That year in school, a friend tricked
me into the School Choir and I was taught to pay at the
xylophone, it took me sometime to master the interest to please
my friend who did not wish to miss me in the festival which
eliminated at the National Theatre, Kampala every Festive Year.
Being a new entrant, it fetched me a lot of beating from Mr.
Kisaane (R.I.P). Then came Rachael Magoola who used to ride from
Namasagali College. Unlike Mr. Kisaane, Rachael was rather kind
but very assertive that we never left any piece without making
sense out of it. That year we were the best at the preliminaries
and it pushed us up to the regional level, which was an
achievement for me a new venture. Since then, I personally
picked a unique interest that I worked not to please my friend
and teachers but also to build music, a future career.
I did well until when my father learnt of it. He feared for my
so-called ‘Academic Work’ as if Music was not at all academic
and like that, I had a hard time convincing him that I worked
just as well in the rest. Sensing the kind of insecurity, I
realized myself dodging Namasagali College where all my brothers
and sisters studied because father also worked there as a Soccer
Coach. I fought and joined St. Balikuddembe Secondary School,
Mitala Maria and no sooner had they recruited me into their
school choir and I had my first trip, my first two months in
Secondary School. For three days out, we feared and sang and I
learnt new ideas during that time.
From 1991 when I joined St. Balikuddembe till 1996, I
participated in the recording of Music on Cassette, normally
done in Radio Uganda Studios. We recorded ‘Talanta Vol. I- Vol.V
and I gained all the interest and skill that whenever it was
holiday time, the school could not afford missing me because
that’s when I was most needed in the National Theatre. In that
school choir, I was exposed to new friends and opportunities. I
was Treasurer from 1993-95, we frequently visited State House to
sing for the President, and we performed at all the important
National and International functions because we had become a
National Issue in Music. I performed at the Coronation of a
number of Kings when Kingdom ship was restored in Uganda in
1993. I sung for Nelson Mandela when he visited Uganda, we were
introduced to Ambassadors and N.G.O(s) that were popular then.
But the higher we shot, the more opposition I got from home and
friends.
I have been in this Art most of my School-time but not many
people appreciate Artistes. Even the elite cannot support Music
and that is why they call us mad and only noisemakers. But it
keeps my mind and body healthy and that persecution encouraged
me instead to work harder, because, other than the School Choir,
then led by Paul Ssaaka who also loved to promote me, we had a
group of about six little students who traveled and sang along
The Main Choir, Composing and our own little Music. With one
Keyboard Piano, we played all the would be full band instruments
and sung the rest. In that small group, there has sprouted young
vigilant artistes like Nathan Bwerenga of Diamonds Productions,
Sylvia Namagga, now in the U.S, many youths in Gospel Music,
like me and Edgar Mukulu, and many others on Radio and
Television, nationality.
I
normally represented my class whenever these inter-class Music
Competitions. This was every Saturday night according to the
School Entertainment Dept. This also helped me to develop my
performance skill and from there, I was picked by Jimmy Katumba
in 1997, who trained me as a backup vocalist. I attributed my
performance and onstage confidence to Jimmy Katumba because
while with him, I learnt to improvise; Males taught to sing
female voices and now I make my own backups in studio. It was
all fun until one day when after intensive performing for
BUKADEF: both at Nakivubo Stadium and Entebbe Resort Beach then,
with guest artist, Madilu from Congo.
We were supposed to be paid but up to now, the cheque has not
yet matured. This problem has led to a lot of frustration where
by the youths in the Art are highly exploited all because they
cannot afford a few managements by themselves. All in all while
with Jimmy Katumba, I was allowed to curtain raise. Singing my
own Music before I retired to backup my boss. This show wandered
around Kampala City and other theatres elsewhere. The last one
collapsed in Former Terrace View Theatre Bwaise. After such
unpleasant moments, I decided to join Makerere University,
studied Drama at the Music, Dance and Drama Department. I wanted
to grow up and become a professional artiste, never to be used
again! While there, I improved more and more in Music
performance and as a poet, in song and script writing, I have
writer and acted in Television Dramas going round the country
health educating the masses. I have published a number of poems
East African Theatre Institute- E.A.T.I –UNC
Email: eati@arts.mak.acug
Other copies at Email: culture@africaonline.co.ug,
www.culturalcentre.or.ug.
While
at Makerere University, I joined Jesus Christ and in Salvation I
have recorded my first Album: WAITING IN FAITH with songs like:
He’s a winner, Don’t turn away, My Hero, A new Song, My Destiny
and Wonderful Word, which play mainly on Christian Radio
Stations.
Before, we were a group of three, we recorded an album but one
of us disappeared with the master copy and that was the end of
it all but I said to myself: “It’s not the end of me” and for
three years I nursed my dream faithfully and particularly until
2003 when I have personally sponsored my own music on both CD
and cassette with this, I advise the upcoming musicians to
always have a focus in life, have a streamlined dream that “By
this particular time next year, I want to have this particular
something.”
Not to always put money first, though we need it and it made me
leave someone’s group in 1997. We must first saw a seed before
to reap. With people who had no particular dream I parted. Only
team up with such people with a common dream and if none is
available, team up with yourself, alone and work. I did it and
Jesus helped. “Waiting In Faith” you may not have to be Born
Again to do this but only a sense of direction is needed.
I cannot attempt a prophetic view of the future Ugandan Music
but let the Artistes’ work to promote the Art though working to
track quick money. I faced a number of rich people, friends and
relatives to sponsor my recording but everyone asked how he was
to gain. I parted with begging as well and slowly but
faithfully, I recorded my songs, self-sponsored, one by one
until a full album, which I will sell only at my own free will
any time. Sometimes you may not need that particular helping
hand you are looking at. May be you only need to look at your
own hand and dream. Also we need our Ugandan Music to fetch us a
living just like in UK, America and elsewhere but what about the
copyright Law in Uganda? May God whoever is responsible.
jwoira@yahoo.com
Mobile-077-837871
Post: C/O HOLY CHURCH OF CHRIST
BOX 16616
WANDEGEYA-KAMPALA, UGANDA
EAST AFRICA |